The contrast cover can either be your own cover or another professional cover.
Bowie is shown as being the Center of Visual interest, he is seen standing 'loud and proud', his legs are spread apart to present stability (from his old drug addiction?) and to show he is grounded safely and firmly. He is also seen with his hands behind his back, with his chest puffed out, this portrays him to be comfortable with himself and has nothing to hide behind his hands and doesn't need any defence. Bowie is also wearing clothing which shows to be both smart and casual, the boots show a solid ground, his shirt and tie are matching but has been altered to go into changing/contrasting directions paired with a similar patterned tie and the casual rolled up jeans.
There is only 2 other pictures on the cover, but both of them show no distraction of the main story (Bowie), Otis Redding in the top hand corner and a German road sign (German because of the 'Berlin Years' subtitle) which is representing Bowie, and how he is moving into a new decade.
The pug in the top left corner tells the reader not only will they get a intreguing story but a FREE CD, from the 'Soul King'.
The accent of the red splurges with important captions in them help them stand out on the mainly blue cover.
COMPARED TO ANOTHER COVER:
This Billboard issue has an un-apologetic cover featuring a careless Rihanna as the splash. Rihanna She is shown in little clothing, wearing just a bikini top/bra, a chunky gold chain and well fitting, hugging body jewellery. There are no other images showing that she is the only person receiving attention with her aggressive yet desirable gaze into the lense of the camera, into the audiences eyes. There are no pugs but many cover lines and features which have key words in yellow and the rest of the writing in white. Rihanna is standing similarly to Bowie with a scowl down into the readers eyes and her hands placed behind her - but her head not her back, showing femininity, ever with her typically 'boyish' hair cut.
SIMULARITIES;
Both are massively influential artists which are very famous and well known.
Both stand with a proud posture, presenting themselves 'as they are'
Both are seen gazing down into the camera
Both have their hands placed behind them (but Rihannas to expose her face more, and Bowie to push his chest out
Both have a set colour scheme, (BILLBOARD of white and yellow, MOJO of blue and white with splashes of red)
Both are the center of visual interest, as they are placed in the middle of the page
DIFFERENCES;
BOWIE ON MOJO
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RIHANNA ON BILLBOARD
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Bowie is on the cover
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Rihanna is on the cover
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Bowie is well dressed/covered
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Rihanna has a lot of exposed flesh
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There is a puff offering a FREE CD
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There is no puff
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Bowie is stated as ‘BOWIE’ in the biggest font size besides the mast
head
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‘THE WORLD IS HERS’ is in the biggest font besides the maiden head of
billboard.
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There are other images - another artist and the large road sign and
badge looking image
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There are no other pictures on the front cover besides Rihanna, the
splash, herself
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Bowie’s cover is seen as a tribute to the man and others who had
passed
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Rihanna’s cover is based purely on the moment as is paired with the
word of ‘THE WORLD IS HERS’
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Bowie is presented to have new ‘untold and unseen’ information out about him and the ‘Berlin Years’
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The magazine is based on her factually with no gossip and isn’t presented
as having untold information/stories
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Mark 12 out of 15
ReplyDelete1. Astute comments on the representation of Bowie.
2. Very perceptive on Rihanna as well (she often breaks rules and appears scantily clad) and her poise, confidence with the camera, making eye contact with her fans.
3. Gender issues? The camera positions Rihanna as a sex object through the 'male gaze' of the camera.
4. There are many genre similarities such as the cover lines